Have A Nice Life – The Unnatural World (The Flenser, 2014)

Have A Nice Life – Guggenheim Wax Museum (The Flenser)

 

I’m going to refrain from bragging about how much I love Have A Nice Life, but for the sake of this review you should know that a) I hate the term “fanboy” and b) I would without hesitation call myself a hardcore Have A Nice Life fanboy. Their debut Deathconsciousness is fucking untouchable, easily in my all time Top 10, if not my Top 5.

If this is the first you’ve heard of HANL (Dan Barrett & Tim Macuga), I’m so fucking psyched to share them with you. Think Nadja plus Joy Division then forget that and just listen to that sample up there. Fucking life changing. Honestly, some of the best sounds to ever grace this sweet doomed planet of ours. The gloom is infinite and I accept it wholly. This is the massive dejected pop you’ve always needed but could never find, with bombastic pulverizing percussion echoing in an empty warehouse, deafening catchy riffs, smooth black synths, and boundless reverbed ghost vocals singing about the closeness of death and the woe of Nothingness.

Compared to Deathconsciousness, The Unnatural World is cleaner, better produced, more consistent, and more mature (whatever the fuck that means). But it still sounds like a blown out lo-fi home recording, it’s just that the atmospheric tracks don’t sound like sound they’re being played by your buy cialis 20 mg neighbors next door. The beautifully suffocating “Music Will Untune The Sky” is a perfect example, instead penetrating your core and making you feel like you’re drowning in slow motion, watching the life dust float in sunlit water, waiting for your last breath to expire in your lungs. And while Dan & Tim might be in a healthier emotional state while making TUW than they were for DC (pure conjecture on my part), this is every bit as depressing & devastating as their first record.

I hold DC up on the highest fucking pedestal. I mean on its own DC closer “Earthmover” is the single most soul obliterating song I’ve ever heard, and TUW never reaches that level of apocalyptic dread. But compared to TUW, DC feels a lot like an experiment. This new record is HANL leveled up, everything that you love about DC has been refined, turning the genre-less madness into a motherfucking masterpiece. I had insanely high expectations for TUW and it’s hands down one of the best goddamn records I’ve ever heard. It might not overthrow DC in my all time Top 10 but that’s probably more for sentimental reasons than anything else. I know I’m an enthusiastic hyperbolic kinda guy but I say this without the slightest bit of exaggeration: TUW couldn’t possibly be any fucking better. It’s literally flawless.