Album Review

Top 15 Solo Drone Records Of 2015

This is my final list this year, which saw 3 more than usual to make up for the lack of non-AGB Radio action for the past 6 months or so. As usual, I tried to keep the big names out (no Philip Jeck, no William Basinski, no Thomas Brinkmann), as if there’s anyone who would read a drone list and not know Basinski put out one of the best drone records of the year. There were so many records that were absolutely amazing but fell a bit too far from my fabricated & arbitrary definition of drone to make this list (Félicia Atkinson, Kara-Lis Coverdale, Eartheater, Jefre Cantu-Ledesma). Maybe next year I’ll have a list of Almost Drone records.

The “Solo” part of this list is only to differentiate it from the Collaborations list I already posted, otherwise it’s essentially the same as my usual Drone list. I put this list together and realized only one of the records was not a solo operation, so I axed it and made the list 100% individual work (that’s not to say other people didn’t help out here and there on the records, though).

In case you missed em, there’s also my Top 10 Collaborative Drone Records, Top 15 Metal Records, and Top 20 (Not Drone Or Metal) Records lists.

Things will probably be quiet here for a little while after this. I have two more AGB Radio episodes planned (counting down this list next week followed by a holiday episode), then in January I’ll be moving and I have a baby that’s due, so I’m not making any plans for AGB until I got that shit on lockdown. Might be doing a bunch of AGB Radio re-runs for a while. No idea. You’ll know when I know.

Have fun. Thanks for reading/listening/appreciating.

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Album Review

Top 20 (Not Drone Or Metal) Records Of 2015

Third list! One more to go. No genre theme this time, but I excluded drone & metal records because they have their own lists. Although there are a few that almost made it onto either of those other lists (see: 12, 10, 7, 6), I felt they weren’t quite droney or metal enough to make the cut, so now they’re here. I hope there’s some new jams in here that you haven’t heard yet and that it’s not too predictable.

Have fun. Thanks for reading/listening/appreciating.

UPDATE: I forgot to mention the huge lack of some of my favorite records that were just too big for me to want to include. Namely, Carly Rae Jepsen, Chrvches, and Purity Ring (among others). Those definitely wouldn’t seen some Top 5 action.

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Album Review

Top 10 Collaborative Drone Records Of 2015

There was so much amazing fucking music this year, I had to put together not one, not two, but FOUR lists, this is the first of em, and it’s a fuckin doozy, since there were wayyyy too many killer drone records, I split it up and made a more niche list of drone collaborations, and as usual, this isn’t even all of em. My main rule for this list was that the collaborations had to be people working together for the first time, so the new From The Mouth Of The Sun was out. And since I didn’t review any of these originally, I can’t link you to the review which has a streaming song, which is why I decided to include a song for each of these.

Have fun. Thanks for reading/listening/appreciating.

 

UPDATE: I have no idea how I didn’t realize that EUS, Postdrome, & Saåad broke the only rule I had for this list. I didn’t even realize it when I was linking to my previous Top Drone list from 2012 that had their first record. So, oops. I’m an asshole and I’m sorry.

 
 

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Album Review

Mike Weis – Don’t Know, Just Walk (Type, 2014)

mike weis - don't know just walk album cover
Mike WeisOut Of The Flowers (Type)

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Mike Weis, aka the drummer from Zelienople, drops his second solo LP and it’s a fuckin stunner. This was made after being diagnosed with cancer and is a sort of meditation on death, which becomes pretty apparent after giving this a spin because it’s dark as fuck and full of tantric percussion, a hypnotic droning beast that plumbs the depths of what we as humans know as life, it’s full of hallowed rituals opening new pathways in your head and begging for answers, propulsive and mystikal, taking you to uncharted interstellar domains with all manner of religious instruments, dwelling on subtle shifts in tones, screaming sirens, bombastic rhythms, searing static, delicate cymbals, organic field recordings, and a thousand hidden threads intertwined in a vast tapestry of morose beauty, this is a magnificent goddamn record, one that evokes a plethora of emotions and is easily one of the better things I’ve heard this year.