This is my final list this year, which saw 3 more than usual to make up for the lack of non-AGB Radio action for the past 6 months or so. As usual, I tried to keep the big names out (no Philip Jeck, no William Basinski, no Thomas Brinkmann), as if there’s anyone who would read a drone list and not know Basinski put out one of the best drone records of the year. There were so many records that were absolutely amazing but fell a bit too far from my fabricated & arbitrary definition of drone to make this list (Félicia Atkinson, Kara-Lis Coverdale, Eartheater, Jefre Cantu-Ledesma). Maybe next year I’ll have a list of Almost Drone records.
The “Solo” part of this list is only to differentiate it from the Collaborations list I already posted, otherwise it’s essentially the same as my usual Drone list. I put this list together and realized only one of the records was not a solo operation, so I axed it and made the list 100% individual work (that’s not to say other people didn’t help out here and there on the records, though).
In case you missed em, there’s also my Top 10 Collaborative Drone Records, Top 15 Metal Records, and Top 20 (Not Drone Or Metal) Records lists.
Things will probably be quiet here for a little while after this. I have two more AGB Radio episodes planned (counting down this list next week followed by a holiday episode), then in January I’ll be moving and I have a baby that’s due, so I’m not making any plans for AGB until I got that shit on lockdown. Might be doing a bunch of AGB Radio re-runs for a while. No idea. You’ll know when I know.
Have fun. Thanks for reading/listening/appreciating.
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Ian William Craig – TEAC Poem (Recital)
Since Craig’s A Forgetting Place snuck into last year’s Top Drone list at number 4, he’s already released an incredible digital release (Theia And The Archive) and now he’s prepping his debut vinyl for Recital and holy mother of god this record is going to tear everyone’s soul to shreds and sit itself upon the Throne of Drone, reigning all from here on out. Craig is trained as an opera singer, and he takes his incredible voice and fucks it up with some Basinski style tape madness, going over the top with an emotional rollercoaster, this dude sings so fucking sweetly if he collaborated with Julianna Barwick world peace would be inevitable, he sends it straight to the stratosphere, soaring euphoria, and then cracks it into a million pieces with decaying texture and warbled beauty, this is the sonic equivalent of a Turner painting, horror and melancholy in stormy waters amidst the sun shining bright with hope & purity on the fringe, crumbling crackling harmony turned inside out, bursting with life and on the edge of death, I feel absolutely fucking devastated listening to this, it’s the most heart-wrenching, overwhelming, fucked up, perfect, warm, somber, delicate, monster of a drone record, I know I tend to dramatize things when I get excited about a record but for real this is the best fucking thing you’ll hear all year, maybe for the next 5 years, I don’t know, it’s just a goddamn masterpiece. And you may remember me saying in my review of A Forgetting Place that there was one song, “On The Reach Of Explanations,” that could have comprised the whole record and I still would’ve been just as psyched because that song is just un-fucking-believable, well that song made it onto A Turn Of Breath which means I can spin that track until the grooves wear out and I’ve passed out from heavenly bliss overload. So yeah, this new one has a couple of “old” songs but Craig has never had a physical release so I’m totally game. Only 500 copies getting pressed up (including 125 deluxe editions) so seriously do not waste another minute in pre-ordering this. 100% necessary for everyone.