This is my final list this year, which saw 3 more than usual to make up for the lack of non-AGB Radio action for the past 6 months or so. As usual, I tried to keep the big names out (no Philip Jeck, no William Basinski, no Thomas Brinkmann), as if there’s anyone who would read a drone list and not know Basinski put out one of the best drone records of the year. There were so many records that were absolutely amazing but fell a bit too far from my fabricated & arbitrary definition of drone to make this list (Félicia Atkinson, Kara-Lis Coverdale, Eartheater, Jefre Cantu-Ledesma). Maybe next year I’ll have a list of Almost Drone records.
The “Solo” part of this list is only to differentiate it from the Collaborations list I already posted, otherwise it’s essentially the same as my usual Drone list. I put this list together and realized only one of the records was not a solo operation, so I axed it and made the list 100% individual work (that’s not to say other people didn’t help out here and there on the records, though).
In case you missed em, there’s also my Top 10 Collaborative Drone Records, Top 15 Metal Records, and Top 20 (Not Drone Or Metal) Records lists.
Things will probably be quiet here for a little while after this. I have two more AGB Radio episodes planned (counting down this list next week followed by a holiday episode), then in January I’ll be moving and I have a baby that’s due, so I’m not making any plans for AGB until I got that shit on lockdown. Might be doing a bunch of AGB Radio re-runs for a while. No idea. You’ll know when I know.
Have fun. Thanks for reading/listening/appreciating.
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Taiga Remains – There’s Nothing (Helen Scarsdale Agency)
I’ve been holding on to this one for a while, spinning it on the regular at AGB HQ, digging deep into the subtle drone, this is to be Alex Cobb’s final release under the Taiga Remains moniker, although this isn’t new work, it’s a collection of two out-of-print tapes, the A side is Beneath The Weeping Beeches on Ekhein and the B side is Thereafter on Arbor, both originally released in 2008, but the great thing about this is that Taiga Remains has never had a vinyl release all to himself, it’s always been splits, so now you’ve got his wondrous smooth tones on what is essentially a full length, and the world is a better place, these are some dark & beautiful sounds, hunting through empty industrial plains in search of the glimmer of an epiphany, desperately hoping there’s something beyond the substance in front of you, absorbed in the delicate grit and shifting muffled majesty that soothes in a way harrowing music rarely does, this is mindful, meditative, and gloriously expansive, a vast open landscape speckled with the remnants of a once great civilization, the dust still settling and lit up by the sun shining through the breaking sky, this is a truly fantastic record, and what a great gift to have this remastered and repackaged on sweet sweet wax, all thanks to the impeccable HSA.