Album Review

Top 20 (Not Drone Or Metal) Records Of 2015

Third list! One more to go. No genre theme this time, but I excluded drone & metal records because they have their own lists. Although there are a few that almost made it onto either of those other lists (see: 12, 10, 7, 6), I felt they weren’t quite droney or metal enough to make the cut, so now they’re here. I hope there’s some new jams in here that you haven’t heard yet and that it’s not too predictable.

Have fun. Thanks for reading/listening/appreciating.

UPDATE: I forgot to mention the huge lack of some of my favorite records that were just too big for me to want to include. Namely, Carly Rae Jepsen, Chrvches, and Purity Ring (among others). Those definitely wouldn’t seen some Top 5 action.

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Album Review

Elisa Ambrogio – The Immoralist (Drag City, 2014)

Elisa Ambrogio - The Immoralist album cover

No stream here, Drag City’s got the whole album up on Soundcloud via Impose, check it there
 

I’m admittedly a little late to the Magik Markers game (which is shameful since they’re a localish band), I’ve only been jamming them for a few years, but got hooked real quick, and am always jonesin for more (the Arbitrary Signs page helps with that), so when I heard Elisa Ambrogio, singer/guitarist for MM, was dropping her solo debut, I got pretty fuckin psyched and was hoping for more MM-tinged garagey goodness that was maybe a bit more stripped down, and that’s exactly what I got on The Immoralist, and while there’s a couple songs that sound like the could’ve come from an actual MM record, for the most part it’s like a bedroom pop daydream of MM, with Ambrogio taking charge of everything, cleaning up the fuzzed out rock a bit and showing off her soft side, layered vocals harmonizing with herself, going for the deep 60s psych pop where you can be a total fuckin weirdo and it doesn’t seem out of place in the slightest, throwing down melancholic piano ballads alongside catchy Top 40 celebrations, this is both a joyful summer slam and awkward bittersweet downer, where Ambrogio travels merrily down memory lane, and closes the record with the lyric “Nothing new would live if nothing died,” which in one short phrase encompasses the whole feeling of The Immoralist, gettin high on those shitty feelings and not letting life’s despair bog you down, and that’s basically what I strive for, so Ambrogio fucking nails it with this one and it’s just as good as, if not better than, the best MM records, just in a different way, something I’m pretty sure everyone should be and wants to be spinning basically non-stop.

Album Review

Ambarchi, O’Malley, & Dunn – Shade Themes From Kairos (Drag City, 2014)

ambarchi omalley dunn - shade themes from kairos album cover
Ambarchi, O’Malley, & DunnShade Themes From Kairos (Drag City)
No audio, I’m not allowed to post anything yet. A video will be released soon though so keep an eye out for it.
 

Three dudes who hardly need an introduction, Oren Ambarchi, Stephen O’Malley, and Randall Dunn, have come together for what was originally supposed to be the score to the short Belgian film Kairos but evolved way beyond that into this 2xLP of harrowing dark ambient, a subtly menacing record that merges the already outstanding collaborative work between O’Malley’s guitar and Ambarchi’s electronics with Dunn’s perfect percussion, Shade Themes From Kairos walks the dark side of life, showing us all manner of occult & macabre, smoke & magik, ruins & rituals, truly penetrating music that ebbs & flows with soft skittering, bombastic nightmares, effortless drifts, enchanting vocals, devastating feedback, sonorous drone, and unholy freakouts, sights never before seen are laid in front of you, monolithic & unyielding, the sound of kingdoms fallen and souls forgotten, this is incredible fucking stuff, a truly magnificent record. I know these guys are pretty prolific but this one is not to be missed. And look at the fucking artwork by Denis Kostromitin I mean come on.