I remember first getting into weird music and having Howard Stelzer be one of my launchpads. All I knew was that he made the most awesome sounds essentially from messing around with tapes, and of his innumerable collaborations, the ones with Giuseppe Ielasi on Night Life and Jazzkammer on Tomorrow No One Will Be Safe were on constant repeat for a while. Then I went to a show he put on with Astronaut (early OPN group), Geoff Mullen, Fire In The Head, Skeletons Out (which unbeknownst to me at the time was a collab between Stelzer and Jay Sullivan), and Red Horse, and while talking to Howard at the merch table afterward, I realized that 1: the dude I was talking to was in fact the one & same Howard Stelzer who collaborated with anyone worth a damn, 2: this guy ran a super boss label Intransitive, and 3: he was from Boston! I was a kinda floored. He had his brand new solo CD Bond Inlets for sale, so I snatched that up and have been enamored ever since. According to Stelzer, Brayton Point is his first solo full length since 2008’s Bond Inlets (although Discogs begs to differ), but yeah, I’m pretty fucking psyched about this one, and yeah, it’s as good as I hoped it would be.
Brayton Point is comprised of sounds taken from the Brayton Point Generating Station in Somerset, Massachusetts, and it’s one big horror show of industrial chaos swirled together in a hulking drone storm, a dense and twisted hellmouth with fleeing screaming demons, the sort of music your parents thought you’d hear if you played a melted Black Sabbath record backwards, except way fucking cooler, with more high end skree, whirlwind static, and core shattering garble, but with plenty of moments of reprieve, a subtle mechanical hum with ancient technology creaking in the distance, the texture of tape making its way to the playing field, this is absolutely & ridiculously awesome, the whole 50 minute piece a welcome beast of Stelzer’s patented tape fuckery, so glad this dude is back in the game, and he’s back with a motherfuckin winner, really can’t wait to see what else he’s got on deck.