Album Review

Skullflower – Draconis (Cold Spring, 2014)

skullflower - draconis album cover
SkullflowerSunset Dreams (Cold Spring)

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The masters of chaotic drone are back with their first solo full length since 2011’s Fucked On A Pile Of Corpses, and this time it’s a double CD overstuffed with a total fucking maelstrom of gloriously harsh drone, and some might balk at the drone label here but make no mistake, this has all the makings of the most perfect fucking drone, overwhelmingly loud with a thousand layers going at once, each seeming like they’re totally independent from each other, doing their own thing, but they work in a discordant unison and form a cohesive slab of destruction, at a distance, this sounds like an impenetrable waterfall of noise, but the closer you get, the clearer it becomes, patterns emerge and harmonies rise from the static, this is an unequaled transcendent experience, and I know I’ve been throwing around “transcendent” a lot lately, but it’s always been appropriate, and here even more so, Draconis takes drone to new heights, this is a spiritual rite, the majestic mess of sounds conjured are not only the conduit to a greater truth, but themselves are an element of the Holiness that Skullflower embrace, they’ve created an altar of tumultuous bliss and call you forth to take part in the worship, you can’t fucking deny this.

Album Review

Trepaneringsritualen – Perfection & Permanence (Cold Spring, 2014)

trepaneringsritualen - perfection and permanence album cover
TrepaneringsritualenHe Who Is My Mirror (Cold Spring)

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This dude is one of my favorite dudes, his work as Dead Letters Spell Out Dead Words was incredible and Deathward To The Womb from 2012 is one of the most uniquely horrific records ever, and he’s ever evolving into newer and more painful sounds, finding a groove in evil rhythms and going full on death industrial on Perfection & Permanence, a wholly unique decrepit ritual rooted deep in Christian mythology, growled distorted vocals that couldn’t possibly be coming from a human, gurgling “Father, why have you forsaken me?” with a mouthful of puss, the monstrous atomic bomb beats and throbbing synth balanced perfectly with walls of caustic static and ethereal gongs, the blackest most wretched ambient that will make your blood curdle, bleak as fuck sounds from beyond the post-apocalypse, where the remaining humans have taken up arms against angels, this is beautifully disgusting and absolutely fucking enthralling, the rotting remains of a human corpse that you can’t turn away from. Limited vinyl from the UK, currently available stateside at Forced Exposure. This is not something you want to miss out on.