Album Review

Inventions – Inventions (Temporary Residence, 2014)

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InventionsEntity (Temporary Residence)

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First of all, Matthew Cooper aka Eluvium is one half of this new project so it’s already the best thing ever. The other dude is Mark Smith, guitarist from Explosions In The Sky, so yup, definitely 100% the best thing ever. It sounds kinda like what you’d expect, there’s moments where it literally sounds like those clean EITS guitars on top of some premium Eluvium drone, and that’s fucking great and it would be perfectly satisfying if that’s all it was, but it’s sooo much more. These two come up with something familiar but unique, taking their respective talents and washing it in a blissed drone pop that feels way better that you’d ever imagine it could, like magic space dust swirling in slow motion, with subtle mini-crescendos, unexpected rhythmic grooves, and wordless soothing vocals, this is the golden shimmer on top of clouded water, the score to the dreams you hope for every night, giving you the feeling that yeah maybe everything is ok, at least for the duration of the record. Pure fucking excellence. This one has been pretty much glued to my turntable for the past few weeks. Couldn’t love it any more.

Album Review

Blood Folke – Blood Folke (Small Doses, 2011)


Blood FolkeWinter’s Summer (Small Doses)

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Their name’s a bit misleading. No folke here. No black folk either. Nothing folky at all. Maybe some blood if that’s your thing. These guys are a trio from Minnesota playing a strange and totally fucking awesome blend of doom & black metal, with some post rock climaxes thrown in for extra epic points. Instead of the usual guitar/bass/drums setup, though, they’ve ditched the bass for a viola, so, wow. It’s the best. It adds to the heaviness in its own way, giving me a neo-classical noir vibe, except when those strings are crying out like some DSBM howls, which is weird as fuck and 100% welcomed. The vocalist doubles up with bear-like growls and throaty mumbles while shredding his axe, teaming with the viola creating melodic crescendo blasts and discordant blackboard screeching, and the drummer is destroying his kit when things get locked down, a massive doom groove that just doesn’t let up. The whole thing is dark and supremely fucking heavy, blacking out the sky and reigning its twisted doom over your wretched soul. Truly great stuff here and for $8 it’s a goddamn steal.

Album Review

Fiends In Human Shape – We Will Burn The Very Heavens (Tigerelectron, 2011)


Fiends In Human ShapeDeath Won’t Hide You (Tigerelectron)

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A new synth/drums duo from Boston tearing it up with a sweet blend of genres from all recent decades. They’ve got ’80s dark pop and ’90s post rock, the ’00s ambient pop (or whatever the hell The Postal Service got tagged as) and the as-yet-defined je ne sais quoi of the twenty-teens. They’re kinda all over the place, but it works, sounding like the soundtrack to a more macabre Tron along with some low key R&B ballads mixed in. As a debut EP, this definitely has enough goodness on it to keep them on your radar until a full length drops.