Album Review

Kwaidan – Make All The Hell Of Dark Metal Bright (Bathetic, 2013)

Kwaidan - make all the hell of dark metal bright album cover
KwaidanThree Empty Rooms Of Light And Space: Ostension (Bathetic)

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Kwaidan is quite the trio, with Land Of Decay bro Neil Jendon, Locrian dude André Foisy, and Mike Weis from Zelienople, brought together to make a glorious racket. After kicking things off with a killer self titled tape on Accidental Guest last year, these dudes are back with a proper full length on Bathetic conjuring a magnificent dark drone that blends noise, doom, and Americana to make an unbelievably fucking awesome sound, mystical & transformative, synths & guitars sweeping through a pre-cathartic explosion with slowly plodding drums, a sprawling loose atmosphere that’s tight as fuck, dudes working together so seamlessly, breathing occult jams that praise the permanent solar eclipse, clear black haze settled in a field, fireflies mingling with ash in the dusk, a doom that sheds its metal crust and is perfectly at home in the company of dusty acoustics & buzzing static, a homeless midnight wanderer that couldn’t sound any fucking better, and with the most perfect album title, these guys hit it out of the fucking park.

Album Review

Svarte Greiner – Black Tie (Miasmah, 2013)

svarte greiner - black tie album cover
Svarte Greiner – Black Tie (Miasmah)

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Erik K. Skodvin’s Svarte Greiner project gets creepier & creepier, this new LP on his own Miasmah label is some harrowing shit, two side long pieces of dark string drone perfect for tuxedoed occult rituals, comatose bass string plucks on top of haunted smears, hushed unintelligible clatter behind the scenes adding to the mystery, black bliss, slowmo static fog rolling through valleys of bleak & bittersweet depression, murky & crystal clear, floating in the deep sea ink, a minimal motionless nightmare that you never wake from, perfectly exquisite in every way, only 500 each of LPs & CDs, so don’t snooze.

Haiku Review

Jannick Schou – Fasjil (self released, 2013)

jannick schou - fasjil album cover
Jannick SchouFasjil 1 (self released)

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Download Fasjil
/ominous thunder/
/bleak beats amidst blissful noise/
/techno gloom shines dark/

Album Review

Fabio Orsi & Pimmon – Procrastination (Home Normal, 2013)

fabio orso and pimmon procrastination album cover
Fabio Orsi & PimmonI Wish You Were In Yallingup (Home Normal)

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Unbelievably amazing debut collaboration between these two drone gurus, the lushest heavy-hearted bliss I’ve heard all year, an ocean of sound growing larger every moment, lazer peepers floating in the glowing dusk like some extended post contact scene in The X-Files, wondering if what just happened really happened and relishing in the bewildering peace, subtle crackle from half memories, unmistakably gorgeous dreams of the Netherworld where emotions burrowed deep in your psyche are coaxed out by the bittersweet beauty, swirling & overwhelming, euphoric & cathartic, like being bathed in golden black rivers of transcendence, this is a perfect goddamn record that somehow tops both of the artists’ prior work, and painfully limited to 250 vinyl and 500 CDs, so do what you do best and add this masterpiece to your collection.

Album Review

Lawrence English – Lonely Women’s Club (Important, 2013)

lawrence english - lonely women's club album cover
Lawrence English – Lonely Women’s Club (Important)

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This is Lawrence English at his fucking finest, just him and his Elka 30 organ billowing out the most beautiful minimal drone, with a touch of post processing to blur the edges a bit, this becomes a fucking masterpiece of warmth, the very core of life, the bright glimmer that shines even on the darkest days, reality seen through rose tinted glass, a little woozy from the booze, solemn & content, perfect sounds floating and finding their way home in my heart, infinite bliss, the best sounds you’ll hear all year. Only 500 copies from the impeccable Important. Won’t last.

Album Review

Zerfallt – Ritual Systems (Field Studies, 2013)

zerfallt - ritual systems album cover
Zerfallt – Side A (Field Studies)

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Boston dabbler Lee Tindall, currently recording as Belarisk and with Mutation Of The Gryd, currently running killer tape label YDLMIER, and previously cosmic jamming with Daniel Lopatin & Andy Plovnick as Astronaut, has a new tape of occult noise as mainstay Zerfallt on Field Studies, burning new holes in the fabric of dark matter, this is some 30th century mystic shit, synths clouded with death murk and screeching hot metal melting over the hellmouth, robo-hum droning hard and controls set straight for the collapsing star overhead, hypnotized by harsh winds and grit & grind, the fever of possession bringing lucid nightmares to reality, a page torn from the burnt book of brilliance, this is some excellent weirdness from a dude with an already excellent back catalog. Grab a copy to blast at your next sacrifice.

Album Review

Betacicadae – Mouna (Elegua, 2013)

betacicadae album cover
BetacicadaePahoa (Elegua)

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One Kevin Scott Davis making an astounding debut with Betacicadae. A wholly unique record, taking every instrument he’s got, a bunch of guitars, a wood flute, vibraphone, harp, violin, drums, synths, and runs some of it through some effects pedals, does some post-processing, and mixes it all up with field recordings from farms, rainforests, and cities, making the most incredible electro-acoustic ambient record that is its own separate planet of sound, there’s nothing else quite like this, it’s a microcosm of personality but the breadth is endless, breathing warmth into electronics and twisting organics beyond their limits, life is everywhere & at every moment, this covers the entire range of emotion with calm oddities, frightened fauna, chaos & control, washed out & dazzlingly brilliant, the dark night of the unknown & the slow morning peace, and the opening track “Pahoa” is the most beautiful fucking thing I’ve ever heard, it’s a masterpiece of wonder, a place of perfection, and I just want to live inside it forever. This is as good as debuts get, my friends. The best on every level. The whole thing is streaming and there’s only 100 copies each of vinyl and CD, so don’t do anything dumb like not pick one of these up immediately.

Album Review

Taps – Taps 2 (Individual Lines, 2013)

taps 2 album cover
Taps – Side Two (Individual Lines)

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Two bad Boston vets making some weird noise that’s all kinds of cool. Brendan Murray does some electronic wandering and Chris Strunk bangs out krauty jazzy foreign beats on his drum kit. Not really sure where the fuck this would get shelved in a record shop, they’ve got some sprawling minimal psych that gets into a killer fuckin groove, hushed ambience where they’re bathed in tape hiss, a semi-IDM that could be played at only the specialest of dance parties, and sonic synth explorations propelled with drum fuel. It’s kinda funky, kinda techno, kinda punk, but totally sparse and just rad as hell, unlike anything else coming outta Boston right now. Dudes know how to keep it fresh. Tapes & digital available from the increasingly awesome local label Individual Lines.

Haiku Review

Sun Hammer – Fors (Feedback Loop, 2013)

sun hammer - fors album cover
Sun HammerOffice Music (For Justin Snow) (Feedback Loop)

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Download Fors
/blue sky shimmer glitch/
/soft hypnosis born from drone/
/drift through weightless bliss/

Album Review

Owlfood – Destroyers Of The Moon (Behind The Door, 2013)

owlfood - destroyers of the moon album cover
OwlfoodDrift Towards Her (Behind The Door)

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An excellent Boston trio that’s been hiding in the shadows for too long, hopefully this killer new LP will get them the attention they deserve. Destroyers Of The Moon is some dark moody shit, twisting doom drone and neo-folk gloom into sprawling blackened pagan jams, shamanistic chants à la Charalambides spoken over haunted strings and buzzing guitars, a pitch black night spent in the desert, opening the gates to the underworld and conjuring spirits to rain death, acoustic whispers in the smoke with the thrum of fear lurking beneath, dreams interchanged with reality in the throws of hypnosis, a delicate melancholic record of harrowing black folk, beautiful & exceptionally original, only 250 pressed up on the band’s newly minted label, you definitely don’t want to miss out on this.

Album Review

Andrew Weathers Ensemble – What Happens When We Stop (Full Spectrum, 2013)

Andrew Weathers Ensemble - What Happens When We Stop Cover album cover
Andrew Weathers EnsembleO/OU (Ensemble) (Full Spectrum)

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Another incredible album from my favoritest fucking guy. What Happens When We Stop is a cross country album, started in North Carolina with Weathers’ buds, elaborated on the road headed out west, and finished up with his pals in California. This one’s just as wonderful as the last, Guilford County Songs, but still not quite as masterful as the debut, We’re Not Cautious. There’s a notable lack of prominent banjo, and I fucking love the banjo, but a big focus on the guitar, more so than before, which is awesome because the guitar work just gets better with each release. Everything is just as warm and incomparably serene as ever, old American folk perfectly melded with contemporary drone & neo-classical, subtle electronics peaking through the twinkling piano, harmoniums humming beneath hypnotic acoustic strumming, but Weathers’ voice has changed a bit, a lower tone and letting his drawl shine through, a little disorienting at first, but it still works beautifully, and honestly, the guitar, just so fucking sweet with those drones, I could listen to Weathers pick away all day with the strings & brass & reeds & everything else droning in the backseat, it’s the most heavenly sound you can get. This dude is unstoppably awesome and I will devour everything he throws at us. You should probably join me in my devouring and pick this up, it comes with a sexy photo book with the work of Aaron Canipe, so you’re definitely getting your money’s worth.

Album Review

Crowhurst – Death Van (Static Reason / Placenta, 2013)

crowhurst - death van album cover
CrowhurstSeven Seconds To Live (Static Reason / Placenta)

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Crowhurst is Jay Gambit’s project that has a continually revolving cast and he’s put out a ton of work, like Aidan Baker heights of prolific. Death Van, if you can look past that goofy cover art, is easily his best work to date and has someone guesting on almost every track. He magnificently weaves between blissful noise and noisy bliss, although I’m more inclined to lean towards the blissful noise. This is some supreme harshness, boiling power electronics mixed with monolithic drone, caustic industrial shredding, and lurking beneath it all, bittersweet melodies full of gloom & heartache. So much going on here and it’s all beautifully hellish and fucking relentless, songs that are nonstop from start to end, each burning its own hole in your skull, bulldozing you with crumbling walls of static & deep bone rattling bass, and somehow putting the most euphoric twist on it like the warmth in the final seconds of your life. This record is 100% awesome, and if you’ve listened to Crowhurst before and were like, “yeah, that was cool” but haven’t kept up with his output, this is the one to come back to. And if you’re altogether new to this dude, now’s the fucking time to get in on this. Vinyl & tape versions are available (the tapes come packaged in body bags) but you gotta make it happen over here.

Album Review

Total Life – Bender/Drifter (Debacle, 2013)


Total Life – Bender (Debacle)

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Total fucking perfection right here. Growing’s Kevin Doria has stepped back up to the Total Life plate now that Growing is on a hiatus of sorts, bringing a minimalism too rarely seen these days. This is drone lovers’ drone, a pulsing electronic raga sounding like Dan Friel if he studied under Pandit Pran Nath, like watching a monk meditate in a strobe light, taking a few tones and pushing them until they smear together, indistinguishable from everything else, until you see the light shine through and forms appear, not because it’s fucking with your mind (although it does that, too) but because it’s an organic shapeshifter, solid becomes liquid, a visceral hypnosis, you wake up at the end of the record with no memory of time passing and hoping these sounds will lead you to enlightenment. So glad Doria is back with this project. As far as I know, he’s got at least two more records coming out this year, including a split on Important with Deceh (which is a match made in heaven) so looks like we’re in for some more awesome fucking drone in the near future. Get psyched.

Album Review

Be Honest – Tea, Sugar, Soda, Soap (Fallow Field, 2013)


Be Honest – Tea, Sugar (Fallow Field)

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Goddamn this is a special fucking record. Ian Maleney’s first under the Be Honest name and it’s inspired by/has field recordings from the rural Irish bogland making some truly exceptional drone. The only recognizable samples I hear are bird chirps (done quite tastefully) and maybe some rain (not too sure about that though), the rest is impeccable guitar drones and subliminal synths, the two side long tracks acting as polar opposites, the first starting out with a soft & bright drone that quickly turns into an overwhelming dense dark static, snarling & growling but never actually biting, subtly beautiful with melodies buried in the noise, briefly breaking off into a calmer haunted dream, then bursting through again with the gorgeous abrasion. The B side takes a lighter approach, very playful & soothing, a couple layers of processed picking laid on top of vague nature, an organic warmth that feels sun drenched & slightly melancholic, undeniably beautiful, and just fucking perfect. Not too many of the bad boys were made, only 50 on Maleney’s newly minted Fallow Field label, so get white the gettin’s good.

Album Review

Josh Mason – The Symbiont (Sunshine Ltd, 2013)


Josh Mason – Dying In A Canoe (Sunshine Ltd)

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Josh Mason isn’t quite new to the game, but still fresh enough to perk your ears. As far as I can tell, this is Mason’s first full length vinyl, and it’s a fucking winner. Some of the humblest drone I’ve ever heard, electroacoustic meditations on life, anxiety, and death, bringing an incredible depth to what could have been a very flat sound, tape hiss clear as day with the distant warbles & clicks sounding as if they’re inside your head, immaculate dreams filled with soft n glitchy guitars and airplane cabin static, intimate & calming on so many levels, the silence is anything but, embedding the slightest shred of serenity into every moment, and going full on lush euphoria in the most delicate & restrained way, a heaven I never knew existed and never want to leave, this is masterful in its beauty, a perfect goddamn record. Crazy limited, only 100 copies pressed, clear vinyl, and guaranteed to not last much longer. Don’t be a fool.