Album Review

Fatalism – Mystery Of Death (Eternal Death, 2014)

fatalism - mystery of death album cover
FatalismIsabelle (Eternal Death)

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Holy fuck this is some next level shit. Debut record from this duo featuring members of One Master and Morgirion playing some heavy dreamy gloom, mixing up elements of black metal, shoegaze, darkwave, and doom, giving it a (high) potential of sounding bland or generic but comes out sounding wholly unique and goddamn perfect. Just 4 songs, but each one fucking rocks, with echoing unintelligible vocals that blur into a hypnotic chant, this stuff is bleak, hard, and somehow still kinda catchy, ethereal buzzing guitars drifting through foggy cemeteries and then BAM a wall of blast beats to crush your soul, this burrows deep into your subconscious similar to that Charnel House’s Black Blood from last year, but this gets way more rowdy. Seriously, this is a killer fucking record. Hits all the right spots. Definitely keep an eye on this band.

CONTEST: Win Hell’s III LP

hell - iii album cover contest
 

Hell’s epic trilogy has sadly come to an end, but holy motherfuck what an end it is. III is pretty much everything you’d want in a doom record, mournful guitars bookending both side long pieces of pure devastation, a bleak blackened fury, nightmarish and fucking massive.

The record got the usual luxe treatment from Pesanta Urfolk, nice thick black/blood red vinyl with a large fold-out poster and an insert. Only 472 copies made and already sold out from both the band and the label. The whole thing is streaming on Hell’s Bandcamp, so feel free to scope it out before entering the contest.

To enter, just send an email to hellcontest@antigravitybunny.com by the end of Friday. If you win, you’ll be the gloomiest kid in town.

Album Review

Insect Ark – Long Arms (Geweih Ritual Documents, 2013)

insect ark - long arms album cover
Insect ArkLift Off (Geweih Ritual Documents)

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So I’m a little late on the pickup with this one, but only a little, and if this is the first you’re hearing of Insect Ark, fear not! you’re not alone, it was flying below the radar for a bit. This is the solo efforts of Dana Schechter (of Bee And Flower, The Angels Of Light) and from what I can tell, Long Arms is her first release that’s not a 7″, although it’s only a 10″ EP so there’s still no proper full length yet. But goddamn this 10″ already has me craving more. Long Arms is made from just a lapsteel, bass, synth, and a sampler, it’s a dark doom drone that’s heavy on the psych, sprawling moon howling jams that that’ll raise the dead, a shuffling jangle perfectly at home in the Wild West running under eerie stretched guitar & humming feedback, this is snarling, desolate, and fuckin evil, with menacing badassery written all over it. Listening to this while walking anywhere gives you instant swagger. And the packaging on this is super sexy, hand numbered, screen printed, fold up envelope style cardboard, and limited to 500, you really can’t go wrong with this.

Album Review

Culver – Gateshead Graves (Fabrica, 2013)

culver - gateshead graves album cover
Culver – How She Cut Herself (Fabrica)

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Fabrica is on one hell of a streak this year, with killer releases from Aeronaut and Rambutan that’ve already blown my mind, and now this new LP from Culver (aka Lee Stokoe) that’s out of this fucking world. Two side long pieces of dark drone minimalism peaking at critical mass, sentient feedback that couldn’t be any heavier, humungous slabs of bone pulverizing vibrations, crank this thing on Satan’s stereo and your soul will evacuate your body seeking sanctuary in the fiery pits of hell, this is serious crater making thrum, the sound of stars colliding and the infinitely dense black hole that ensues, the roar of a monolith mixed with the mind bending bleakness found in the endless stretch of wastelands, static & near motionless crumbling of pure black minimalism, the sound of all that’s left after the universe reversed back into the Big Crunch, total void, absolute nothing, and motherfucking perfection incarnate.

Mixes

Dark Cloud Rising

dark-cloud-rising-mix-album-cover-medium
 
I couldn’t just do a Halloween special on AGB Radio (tonight from 7-9 EST on BFF.fm!), I had to make a creep filled mix especially for you guys. However you party, this will be the perfect score for your Halloween.
 
Dark Cloud Rising
1. Mississippi Fred McDowell – Dark Cloud Rising
2. Black Sabbath – Black Sabbath
3. Wilt – She Walks The Night
4. The Sensational Whirlwinds – (Make Old) Satan Leave Me Alone
5. Have A Nice Life – The Parhelic Circle
6. Wreck & Reference – Abhorrence
7. Angelo Badalamenti & David Lynch – Owl Cave
8. Florida-Alabama Progressive Seven-Shape-Note Singing Convention – God’s Gonna Set The World On Fire
9. Bohren & Der Club Of Gore – Maximum Black
10. The Angelic Process – Welcome To Oblivion
11. John Carpenter – The Fog
12. Lonnie Johnson – Lonesome Ghost Blues
13. Jasper TX – Black Sleep Part IV
14. Robert Johnson – Hellhound On My Trail
15. Avgrunden – The Gate Of A Hundred Sorrows
16. Rev. I. B. Ware – I Wouldn’t Mind Dying
17. Empire Auriga – Waiting For The Fall
18. The Pod – Collecting Dust

Album Review

Fórn – Fórn (self released, 2013)

Fórn album cover
FórnCoiled, Alone (self released)

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A short but devastating debut EP from these new Boston dudes, checking in at a little under 14 minutes, with two songs of mega-doom, monolithic & heavy as fuck, a chunky, lumbering beast dredging up graves, the real action coming in on the 9+ minute “Dasein” where the noise gets pumped up and shit gets slowed down to a funereal dirge of growling fury, huge walls of horror sounding like these dudes summoned open the mouth of hell and recorded the unholy descent as they got swallowed up, then it breaks into a sludgy stomper once they hit fire bottom, the rock of pure fucking death, gruesome & grim metal that’ll bring out the brutal bastard in everyone, this is the best kind of debut, a tease of the excellence to come with killer artwork by Bryan Proteau of Natvres Mortes Illvstration, don’t miss out on this, these guys are definitely goin places.

CONTEST: Win Rorcal’s Világvége On Vinyl

rorcal - vilagvege contest
 
Rorcal’s Világvége is so fucking amazing, I need to make sure at least one of you guys has a copy. So I’m gonna give one away.

WIN IT: Show me your best bunny. Cute ones, disapproving ones, big ones, tiny ones, floppy ones, sassy ones… draw it, find a picture, take a picture, I don’t care, just give me bunnies. Comment on this post with a link to the bunny image of your choosing before Sunday, 4/14, at midnight/11:59 pm, and you might win a copy of the best metal record this year.

RULES: Multiple submissions are welcome & encouraged but probably won’t increase your chances of winning. Who knows, though.

Gifs are great, videos are not.

If you find a great bunny online, you get extra points if I haven’t seen it before (heads up, I’ve seen a lot of bunnies in my internetting).

No real-life sad bunnies. Fake sad bunnies (like this guy) are totally ok.

Make sure when commenting you use an email I can contact you at if you win. Don’t worry, it won’t be published with your comment.
 
And just fyi, Világvége‘s jacket & sleeve have a slight crease in one of the corners (it arrived that way). It could probably get flattened out over time, though. Just some minor cosmetic stuff that I felt you should know about.

Show me some good bunnies yall.

Album Review

Rorcal – Világvége (Cal Of Ror / SickManGettingSick / Lost Pilgrims / Wolves & Vibrancy, 2013)

rorcal - vilagvege album cover
RorcalV (Cal Of Ror / SickManGettingSick / Lost Pilgrims / Wolves & Vibrancy)

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This has been playing non-stop ever since I found it a couple months ago. Totally fucking relentless black metal with heavy doses of doom, death metal, post-hardcore, and whatever other heavy as fuck metal you want to throw in there, Rorcal are raining devastation through the whole record. The only times they let up on this are the atmospheric intro and two short & dramatic operatic interludes, other than that, this is a total fucking onslaught similar to Portal’s black/death brutality. And motherfuck this is as heavy as it gets, black as hell, yeah, but every time they change time signatures they rupture another organ, every blast beat followed by a sludgy lurch gives you another concussion, and the vocals are like a black metal Scott Kelly, screaming like his vocal chords are getting torn out of his throat, the dense guitars almost going post black metal but lacking the beauty, instead just giving you a grisly impenetrable wall of apocalyptic loud as fuck that honestly feels like the best fucking thing I’ve ever heard. As awesome as it gets. Hands down one of my favorite metal records. Super super limited, only 333 copies pressed (and some tapes too but I don’t know how many) with a jacket that has the title die cut out. So sexy.

Album Review

Owlfood – Destroyers Of The Moon (Behind The Door, 2013)

owlfood - destroyers of the moon album cover
OwlfoodDrift Towards Her (Behind The Door)

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An excellent Boston trio that’s been hiding in the shadows for too long, hopefully this killer new LP will get them the attention they deserve. Destroyers Of The Moon is some dark moody shit, twisting doom drone and neo-folk gloom into sprawling blackened pagan jams, shamanistic chants à la Charalambides spoken over haunted strings and buzzing guitars, a pitch black night spent in the desert, opening the gates to the underworld and conjuring spirits to rain death, acoustic whispers in the smoke with the thrum of fear lurking beneath, dreams interchanged with reality in the throws of hypnosis, a delicate melancholic record of harrowing black folk, beautiful & exceptionally original, only 250 pressed up on the band’s newly minted label, you definitely don’t want to miss out on this.

Album Review

Night Worship – Night Worship Volume II: Asterism (Vestige, 2012)


Night Worship – Mantaka (Vestige)

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Night Worship is an awesomely monstrous doom drone project with a revolving cast anchored by Ryan P. Jobes. Three tracks on Asterism (the last clocking in at 30 minutes and taking up the whole B side), Jobes is joined by Andrew Weathers (more guitar droning), Scott Siler (subtle percussion), and Carolyn Waiter (ethereal woodwinds), together they make the unholiest fucking drone that dives deep into reverb worship and sonic meditations, blackened distortion crumbling out of amps, chaotic incantations on the brink of conjuring the purest of evils, honoring both sides of the volume spectrum, breaking souls with blistering intertwined feedback and whispering the secrets of shamans through silent prayers, obvious Sunn O))) comparisons but never quite as monolithic, instead going for a more crusted pagan sound, but just as black, just as demonic, and fucking brilliant. Amazing work, breathing fresh doom into the world via an hour long tape on the new label Vestige Recordings, who you should clearly keep an eye on.

Album Review

Venowl – Gnawed Gristle And Bone (Ominous Silence, 2012)


Venowl – Gnawed Gristle And Bone (Ominous Silence)

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These dudes already put out one of the most visceral black metal/doom records this year, Patterns Of Failure (sold out quick and already in its second run), and they’ve decided to drop another brutal bomb as this Gnawed Gristle And Bone EP. A single 20+ minute track of pure fucking hell, these guys conjure Khanate and The Body but add up to something uniquely bleak, coming from the depths of demon’s dungeons, tortured howling, vocals that can only be screeched with a throat full of blood, monstrous drums keeping the perfect bangability, atonal lurch, scratched grit guitars, prolonged buzzing feedback, and bass that will rupture your skull and tear your house down, this is the blackest doom you can imagine, disgusting & depraved, disastrous & devastating, a true horror. If this doesn’t fill your nightmare niche, you’ve got some problems dude.

Album Review

Treha Sektori – Endessiah (Cyclic Law, 2012)


Treha SektoriSolvah (Cyclic Law)

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Newish solo project of Dehn Sora (from Sembler Deah with Amenra dudes) that’s some seriously dark & stormy shit. It blends euphoria and terror into a doomed black ambience that’s fitting October just perfectly, fallen angelic choirs sounding like if Xela scored Argento, haunted snippets of rewound vocals done so tastefully, relying totally on airflow and barely using his vocal chords at all, elegiac drones & glacial drums that hang in the air forever, a crystal clear blackness from the deepest caverns, industrial drone that discards all shreds of cheese and transcends to a new level of horror, this is done so fucking right, so refreshing, so goddamn awesome.

Album Review

Blood Folke – Blood Folke (Small Doses, 2011)


Blood FolkeWinter’s Summer (Small Doses)

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Their name’s a bit misleading. No folke here. No black folk either. Nothing folky at all. Maybe some blood if that’s your thing. These guys are a trio from Minnesota playing a strange and totally fucking awesome blend of doom & black metal, with some post rock climaxes thrown in for extra epic points. Instead of the usual guitar/bass/drums setup, though, they’ve ditched the bass for a viola, so, wow. It’s the best. It adds to the heaviness in its own way, giving me a neo-classical noir vibe, except when those strings are crying out like some DSBM howls, which is weird as fuck and 100% welcomed. The vocalist doubles up with bear-like growls and throaty mumbles while shredding his axe, teaming with the viola creating melodic crescendo blasts and discordant blackboard screeching, and the drummer is destroying his kit when things get locked down, a massive doom groove that just doesn’t let up. The whole thing is dark and supremely fucking heavy, blacking out the sky and reigning its twisted doom over your wretched soul. Truly great stuff here and for $8 it’s a goddamn steal.

Album Review

Dead Times / TRTRKMMR Split (Aum War, 2011)


Dead Times & TRTRKMMRAn Appendectomy (Aum War)

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Holy fuck. How has this been out for almost a year and had barely any press? This is insane. Both of these dudes are going to be on everyone’s radar pretty soon. Dead Times is currently Steven Vallot’s solo thing, he also runs Aum War, did some vocals on The Body’s All The Waters Of The Earth Turn To Blood and occasionally played with them live. Lee Buford (drummer for The Body) used to be involved until The Body relocated South. TRTRKMMR is a solo thing for Brad Dumville, who was the vocalist for the tragically disbanded Otesanek). So, wow, lots of awesome already bundled up in this split and they’re unbelievably perfect to share some vinyl space together.

But it’s something bigger than the sum of its parts. This split is unholy, pure black and twisted as fuck. A potently caustic black noise with a lots of doom & gloom, industrial & power electronics, and even some melodic synthy organ & bell sounds, like a funereal black pop à la The Mausoleums except way less golden. Tons of samples that talk about redemption & homicide & shit making this creepy as hell. Absolute chaos with plodding crumbling drums, decrepit guitars, blown out electronics, demonic vocals shrieking & creaking up from beyond the grave (with Sewer Goddess joining in on Dead Times’ “Pain Arrives”) everything falling apart in a gloriously fucked up way that could only mean the end of the world. They even do two collaborations, one on each side, and they’re totally fucking killer.

This is truly some of the best of the genre, and all the better that both of these guys are just getting started with these new aliases. Both have new material in the works, TRTRKMMR has an upcoming debut full length on Iron Lung, and Dead Times’ work will likely show up on Aum War again. Make sure you keep your eyes peeled because this is not something you want to miss out on. I’d probably be putting this on some year end list if it didn’t come out last year. All the same, it’s still available and I wouldn’t hold off on picking up this beast.

Album Review

Sun Splitter – III (BloodLust!, 2012)


Sun SplitterEye Of Jupiter (BloodLust!)

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How these Chicago dudes aren’t as well known as Locrian is beyond me. Sun Splitter have just as must genre blending as Locrian, just a different blend. They’ve got this incredible black industrial psych doom thing with some dark ambient noise/drone and even a little HANL style gloomgaze tossed in. I think III is their first vinyl (limited to 500, white, sexy, etc) and it’s monolithic & pure fucking evil. Seriously, this is just monstrous in every way. The riffs are skull crushing, a wall of reverb and distortion sounding like napalm melting your core, drum machines hitting harder than any human could, explosive blasts that level cities, with an abusive assault of rapid-fire fury for the second half of “The Serpent’s Golden Death” where the individual hits coalesce into a waterfall of insanity, static vocals that roar their way to the surface, guitars that chug & rattle, at home only in Hell’s scorched valley, crusted under the black sun. These guys get in a groove and don’t let up until they’ve reached total devastation, the drum machine locked in a loop, sealing their fate as endless riff demons. If you need some fucking heavy in your life, this is where you should be looking. This is the fucking best and most original metal. And with killer artwork by band member Anthony A. Dunn, you would be doing yourself a major disservice by passing this up.