Normally these PA dudes (full name: Total Occultic Mechanical Blasphemy) do black metal type things, with some other strangeness thrown in. UAG (aka Undercovered Ancient Gateways, aka we get it you like acronyms) has them stripping all metal from their sound but going blacker than ever. Black noise, black ambient, black industrial, just completely fucking black. The metal fury is gone and replaced with a bleak industrial howl, a post-mortem skullcracking drone that rots your bones from the inside out. I’m not sure where UAG was recorded, but they’ve been known to do field recordings in asylums & crypts, so who knows the location of these haunted sounds. These guys can take the sound of the wind and turn it evil, and there’s lots of percussive elements, cemetery gates and butcherware clanging in an arhythmic lurch, and on one track it’s even akin to a faded blastbeat, heard through six feet of earth a thousand miles away. Boiling static and hissing rain, thick with decay, harrowing walls of death, so much creep & screech that it’ll be hard to sleep soundly after hearing this. There’s even a track that’s made from the sounds of scraping a contact mic “across the rotting flesh of an actual corpse.” It doesn’t get more fucking necro than that. T.O.M.B. really outdid themselves on UAG. So glad there are labels like Crucial Blast putting out awesome shit like this.